电影资料
电影名称:惊魂记 - Psycho
导演 :阿尔弗雷德・希区柯克
主演 :阿尔弗雷德・希区柯克 马丁・鲍尔萨姆
类型 :恐怖片 惊悚片
地区 :美国
语言 :国语
别名 :精神病患者
电影介绍 :这是部最富技巧的经典名作,从没有一部关于谋杀与精神病患的影片,会使观众受到如此强烈的震撼。故事描述一名盗取公款的女郎在逃亡期间投宿于汽车旅馆,却在浴室中遭精神分裂的狂人杀死,她的妹妹和男友加入警方的调查,在逐步侦查下终于揭露狂人的真相。在所有希区柯克所执导过的惊悚影片中,惊魂记可以说是他最具有代表性的经典之作了。此部影片充满了紧张、悬疑的气息。它更捧红了男星-安东尼・博金... [详细介绍] [相关资源]
导演 :阿尔弗雷德・希区柯克
主演 :阿尔弗雷德・希区柯克 马丁・鲍尔萨姆
类型 :恐怖片 惊悚片
地区 :美国
语言 :国语
别名 :精神病患者
电影介绍 :这是部最富技巧的经典名作,从没有一部关于谋杀与精神病患的影片,会使观众受到如此强烈的震撼。故事描述一名盗取公款的女郎在逃亡期间投宿于汽车旅馆,却在浴室中遭精神分裂的狂人杀死,她的妹妹和男友加入警方的调查,在逐步侦查下终于揭露狂人的真相。在所有希区柯克所执导过的惊悚影片中,惊魂记可以说是他最具有代表性的经典之作了。此部影片充满了紧张、悬疑的气息。它更捧红了男星-安东尼・博金... [详细介绍] [相关资源]
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Soft-spoken Bogey
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旧精魂- 没你想得那么旧,傻瓜 于 2005-11-23 16:46:23 发表在豆瓣
Hitchcock here exhibits his full grasp of the art of suspense. From the very start, we are titillated with a sense of thrill and foreboding, but we just cannot read the omen: we know something sisnister is in the air, but we are still surprised when we finally see where the real crime is, anc committed by whom. Looking backward, our intuition at the first viewing was generally right, but not precise; just as in real life. Watching the movie again, the surprises are of course gone; but that leaves us all the better prepared to appreciate the "surprisingness"---to quote C.S. Lewis---so carefully crafted by Hitchcock.
Anthony Perkins college-boy, jerky blitheness is excellently suited to the plot development. He seems the least ominous of all screen villains, a little effete, a little lost, all of which slowly build up to a sinister personality with few parallels. We are thrown hints, of course: digression on "eat like a bird", the professed passion for "stuffing things", taken-for-granted convictions like "a boy's best friend is his mother", and "we all get a little mad sometimes, etc, etc. The beauty of these tidbits is that we recognized the implied horror only in retrospect.
What ruins it for me is the film's heavy-handed use of half-baked Freudian psychology, the same excesses as in "Spellbound". The smugness of the court-appointed pschiatrist makes me want to kill HIM in shower, indeed.
Anthony Perkins college-boy, jerky blitheness is excellently suited to the plot development. He seems the least ominous of all screen villains, a little effete, a little lost, all of which slowly build up to a sinister personality with few parallels. We are thrown hints, of course: digression on "eat like a bird", the professed passion for "stuffing things", taken-for-granted convictions like "a boy's best friend is his mother", and "we all get a little mad sometimes, etc, etc. The beauty of these tidbits is that we recognized the implied horror only in retrospect.
What ruins it for me is the film's heavy-handed use of half-baked Freudian psychology, the same excesses as in "Spellbound". The smugness of the court-appointed pschiatrist makes me want to kill HIM in shower, indeed.
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