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西部片之风 威尼斯的三池崇史到来年的金知云
上一篇: 无伤大雅的青春：《蓝色大门》
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当注意力更多为金知云东北平原上的西部片所吸引时，三池崇史的西部片悄然挤入第64届威尼斯电影节竞赛单元，特殊的还在于今年威尼斯有一个意大利西部片回顾单元，里面正有着1966年Sergio Corbucci导演的《Django》。
金知云作品改编自哪部作品看以上三个定型照片就知道，目前在大西北的敦煌忙于外景拍摄，而据言预期销售竟是不错。大概，这一部影片也会成为明年韩片焦点之一。
日本的三池却大搞狂放不羁的“恶人作风”（可见预告片），但比起他那些被中国影迷过分涂抹的所谓变态作品，此等时刻将会是扭转对其偏颇印象的大好机遇，即便有人担心三池会“玩成什么样”，而不是想着精力狂人的他会推出代表作乃至大成之说。三池已经奉献出了其他类型电影的代表作，一面不断得到影迷认可，如恐怖片《切肤》、《鬼伎》，诡异片如《牛头》。
在《Sukiyaki Western Django》预告片中，人们已经可以发觉旧有元素：棺材，机关枪，十字架，或者还有不可去除日本味的英语对白。
演员上，一张苦脸的主角伊藤英明（《恋爱复活》）与三国连太郎儿子的实力派男星佐藤浩市（《向雪祈愿》），而同时帅哥不乏（伊势谷、安藤），虽然二者在气质上整体缺乏沧桑感，但可以展露本色另外一面，毕竟就其他前作而言，他们并不是没有尝试过类似角色——这一些已足够吸引星迷视线。
另一边，实力派配角人物不断，戏骨香川照之还有桃井熏等，同时请来了痞子昆汀小露一脸。而恰好QT正是电影节意大利电影秘史单元本年度是由塔伦蒂诺主持。
再加上威尼斯筹码，无怪乎视《Sukiyaki Western Django》为本届威尼斯电影节亚洲电影一面的最大亮点（虽言在想那最后一个惊喜名额还会不会是亚洲...）。一切如何，我们拭目以待。
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威尼斯电影节最近每年都推出一个“意大利电影秘史”单元，今年将是专门回顾意大利西
部片。
Le pistole non discutono (Bullets Don’t Argue, 1964) by Mario Caiano
Per un pugno di dollari (For a Fistfull of Dollars, 1964) by Sergio Leone
100.000 dollari per Ringo ($100,000 for Ringo, 1965) by Alberto De Martino
The Bounty Killer (The Ugly Ones, 1966) by Eugenio Martin
Un dollaro bucato (Blood for a Silver Dollar, 1965) by Giorgio Ferroni
Una pistola per Ringo (1965) by Duccio Tessari
Django (Django, 1966) by Sergio Corbucci
La resa dei conti (The Big Gundown, 1966) by Sergio Sollima
Navajo Joe (A Dollar a Head, 1966) by Sergio Corbucci
Ringo del Nebraska (1966) by Mario Bava and Antonio Román
Sugar Colt (Sugar Colt, 1966) by Franco Giraldi
Tre pistole contro Cesare (Three Golden Boys, 1966) by Enzo Peri
Un fiume di dollari (The Hills Run Red, 1966) by Carlo Lizzani
10 000 dollari per un massacro (Ten Thousand Dollars for a Massacre, 1967) by Romolo Guerrieri
Da uomo a uomo (As Man to Man, 1967) by Giulio Petroni
Dove si spara di più (Fury of Johnny Kid, 1967) by Gianni Puccini
El Desperado (Big Ripoff, 1967) by Franco Rossetti
I crudeli (The Cruel Ones, 1967) by Sergio Corbucci
I giorni dell’ira (Blood and Grit, 1967) by Tonino Valerii
La morte non conta i dollari (Death at Owell Rock, 1967) by Riccardo Freda
Professionisti per un massacro (Red Blood Yellow Gold, 1967) by Nando Cicero
Se sei vivo spara (Django, Kill… If You Live, Shoot!, 1967) by Giulio Questi
Black Jack (1968) by Gianfranco Baldanello
Ognuno per sé (The Ruthless Four, 1968) by Giorgio Capitani
Preparati la bara (Django, Prepare a Coffin, 1968) by Ferdinando Baldi
Quel caldo maledetto giorno di fuoco (Machine Gun Killers, 1968) by Paolo Bianchini
La taglia è tua l’uomo l’ammazzo io (The Reward’s Yours… The Man’s Mine, 1969) by Edoardo Mulargia
Una lunga fila di croci (Hanging for Django, 1969) by Sergio Garrone
¡Mátalo! (Kill Him!, 1970) by Cesare Canevari
E dio disse a Caino (And God Said to Cain, 1970) by Antonio Margheriti
Lo chiamavano Trinità (My Name Is Trinity , 1970) - reconstructed definitive version - by Enzo Barboni
Vamos a matar companeros (Companeros, 1970) by Sergio Corbucci
La vendetta è un piatto che si serve freddo (Death’s Dealer, 1971) by Pasquale Squitieri
Prega il morto e ammazza il vivo (Shoot The Living and Pray for The Dead, 1971) by Giuseppe Vari
Condenados a vivir (Cut-Throats Nine, 1972) by Joaquin Luis Romero Marchent
Il grande duello (Hell’s Fighters, 1972) by Giancarlo Santi
Il mio nome è nessuno (Lonesome Gun, 1973) by Tonino Valerii
I quattro dell’apocalisse (Four Gunmen of the Apocalypse, 1975) by Lucio Fulci
Keoma (Django Rides Again, 1976) by Enzo G. Castellari
Amore, piombo e furore (China 9, Liberty 37, 1978) by Monte Hellman
